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n e w s



January 2025

SHELTERED by Cate Wiley
The Cell Theatre, NY
Jan 22 - Feb 09, 2025


October 2024

Ensemble Project | MFA Graduate Acting Program, NYU Tisch
Buffalo Gals, Won’t You Come Out Tonight
adapted from the story by Ursula K LeGuin




This month has been a true joy. LeGuin is one of my favourite authors and I have loved every moment of diving into one of the many worlds that she created. Being in a process with such a talented ensemble was a gift. I left feeling immense gratitude to Carl Cofield and the whole department for inviting me in to work on this project. 



Strippin & Trippin on Mother’s Milk
 by AG Norton
Mark Pleasant Commission Fund | Working Theatre





REAL GOOD FOR FREE
by Francesca Root-Dodson
Directed by Molly Shayna Cohen


I came onto this development workshop as a creative producer and I learnt so much about making site-specific work in NY. Real Good for Free is about the corporate art world, the money that moves through it, and the moral compromises that confront a group of friends enmeshed in it. 



June 2024
FALLS 
by Colm Summers
Drama League Residency at New York Stage and Film



This summer I travelled to the New York Stage and Film Summer Residency with the FALLS team as Associate Director for Colm Summers. Working together with Colm on his play in development while also building the foundations for the aesthetic language of the future production has been a rewarding and joyful process.



PASSTAYOBASSSE!!!
by Nicolas Bascunan
IATI / Cimientos 2024






May 2024
BLUE TIME
 by Jac Renee Bruneau
NYU MFA Playwrights Workshop




April 2024
Urinetown
Fisher Center at Bard College






August 2023
The Butcher at Whitechapel
by Megan Quick
Frigid Festival
Paper Kraine Theatre
August 23rd, 2023
7pm



July 2023
A la facon du pays
by PJ Prudat and Jonathan Seinen
The Theatre Centre, Toronto
July 28th



May 2023
ArtWork with Eric Emauni and Zuri Washington
May 9th
Columbia University


This was the second event in the ArtWork speaker series that I organized this spring. Eric and Zuri went deep and we had an awesome discussion that will soon be available to read or listen to on the ArtWork Series website. Watch this space. 



The Beautiful Lady
May 5th-28th
LaMama Experimental Theatre Club



Assistant directing for Anne Bogart with this incredible cast galvanized many of the lessons that I learnt from Anne throughout my four years studying with her at Columbia. Strangely, I had never watched her direct before. Over the course of this process I re-learnt something that I thought that I already understood, which is that you really can’t teach someone how to be a director. You can only create circumstances in which they have to figure it out for themselves. Assisting Anne and being a part of her process and watching how she navigated the tough stuff, how she made decisions and compromises, how she held the room, and charmed the company are all so specific to who she is as a person. Only Anne Bogart can direct in that way. Coming to the end of my degree I felt grateful for the revelation and immensely lucky to find myself working on Liz Swados’ music with her and Kris Kukul and Jocelyn Clark. I was moved by the depth and care that Anne brought to the process, and ultimately I was inspired by the possibilities of musical theatre in particular. It was one of those productions that had a kind of a magic to it. I hope that we get to do it again.     


April 2023
The Witching Hour
Paper Kraine Theatre
April 28th

Photos by Clarity Bain


Conceived and produced by Dylan Gurrera, The Witching Hour is a series that explores horror as a queer genre. For this first iteration of Dylan’s brilliant proposal, they invited Clarity Bain, Justin Halle, Fiona Gorry-Hines, James LaBella and Lizz Magan to each write a short new play. And I directed all five short plays! It was a monumental task, thrilling to work on and so rewarding to work with this new company of actors. Watch out for the next one!



February 2023
Social Justice Grant + ArtWork Speaker Series
Columbia University


I’ve been busy organizing a speaker series at Columbia entitled Art Work. In the last few years we have heard so many institutions make statements about addressing systemic racism and inequities in their organizations, but what is really changing? This series is about inviting practitioners in the performing arts to come together and talk about what they see has changed, what obstacles still exist and offer their vision for a path forward. The project is funded by University Life Social Justice grant and the Interdisciplinary Arts Council at School of the Arts. 


The first event was on Feb 6th with invited guests Karen Finley, Seema Sueko and Donna Walker-Kuhne. Follow the series on instagram @artworktalks for updates on the next event!
  Seema Sueko, Donna Walker-Kuhne, Karen Finley




January 2023
Assistant Director 
Sun and Sea (Marina)
Festival Santiago a Mil, Chile

               ;




I was very lucky to assist director Rugile Barzdziukaite on this experimental opera and winner of the 2019 Golden Lion at the Venice Biennale. Together with her co-authors Vaiva Grainytė, and Lina Lapelytė. It was such a joy to work with them and to be a part of this incredible project. 




March-April 2022
Cleopatra
Columbia University
Directing Thesis
 


After studying theatre directing during a pandemic, I now think often about the kind of attention that we bring to a performance and how liveness changes the way that we read the events that happen in front of us. Being able to observe the shifts in our concentration is, in many ways a kind of super power. For my thesis I’m thinking about these things while telling the story of the construction of a political and sexual icon. I never thought I would look to Shakespeare for my thesis but here we are. 

See production stills here.



July 2021
CLOUDS
livestream broadcast July 24th
Schapiro Theatre, Columbia University






My curiosity in Aristophanes’ play The Clouds, started four years ago and it continues to inspire me. This summer I brought together an amazing group of artists at Columbia University to direct a new adaption of this ancient comedy.

CLOUDS is the broadcast of a trial set in a speculative future in which the failures of a democratic structure are revealed through the witnesses’ codified testimonies. The uncovered truth is that democracy is still flawed, words matter more than ever, and fart jokes are still funny (most of the time).

Collectively written, and rehearsed and broadcast during covid-19 restrictions, this production was an ambitious and sprawling exploration about language as technology.



June 2021
You Can’t Touch My Sister I Ate in the Womb
a new play by Fiona Gorry-Hines
Schapiro Theatre June 17th-20th



You Can’t Touch My Sister I Ate in the Womb is a brilliant, hilarious and inspiring play. Formally, it’s a feat - Fiona wrote the simultaneous stories of twin sisters, (one of them more tangible than the other). This was an amazing gift for a director. On the surface it’s a story about consent, boundaries and finding oneself, but gradually the layers of the uncanny reflections of self that Fiona wrote into this play kept revealing themselves through the ever shifting sound of two scenes playing at the same time. It’s brilliant. I hope that it gets another chance to be produced so that more people can experience this amazing immersive play. I’m honored that I got to direct the first iteration.



April 2021
Archive Fellow at Roundabout Theater



I’m so delighted to have been awarded a fellowship at Roundabout Theater to research in their archives a period in the theater’s history when they were home to the Dance Umbrella. Through interviews and visits to the NY Public Library, I’ll be diving into a period when new organizational models were emerging in the New York performing arts scene. 




March 2021
sustained silent reading
Columbia University March 15-April 24th

Initiated by the wonderful morgan mcnaught, this iteration of sustained silent reading was developed in collaboration with myself and designed by the ohyay.co wizard Liv Rigdon. Over several weeks we hosted virtual reading rooms for invited guests to be in community in a themed space. Some rooms were dj-ed and others were silent, all of them curated with the goal of having space to chat, hang out and read. The project was guided by the desire to spend time together while we were often pretty exhausted by digital liveness. 




March 2021
Choreo_anus on twitch.tv

This was an exploration of Coriolanus that I had a lot of fun making. What if there was a Shakespearean ASMR channel out there? New avenues for commodifying the word$ of the bard.   


(NOTE: Start video at 01:00!!)
 


August 2020
Alias, to be dared
 SummerWorks Lab Residency
 Toronto, August 10-16




I’ve been lucky to work with the wonderful poet and artist, Fan Wu this summer. We’ve taken up residency in various locations in High Park to think about the mythology of a language in decline, strategies for evacuating whiteness from English, and the all important role of aliasing.




May 2019
Other Jesus, by Evan Webber
 FTA, Montreal, May 29-31




This year Public Recordings is taking it’s remount of Other Jesus to the Festival TransAmériques in Montreal. We’re thrilled to be able to revisit this play in a new context.




February 2019
To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation, by Pauline Oliveros.
Performed by Public Recordings at Toronto City Hall, February 17th.


Video by Istoica


Led by my colleague Christopher Willes, Public Recordings assembled 18 artists to perform this iconic score by Pauline Oliveros in council chambers at Toronto City Hall.




October 2018
Noor, a new play by Erum Khan
Aga Khan Museum, October 14th-21st


Photo by Erin Brubacher


I’ve worked throughout the year with director Erin Brubacher and playwright Erum Khan on their new play in development, Noor.  Inspired by the Ghazal, a classical form of sufi poetry, Erum’s play is a meditation on love, Islam and queerness. The work finally premiered in this beautiful yurt at the Aga Khan Musem. It’s been so special to work with this crew including super star sitarist Anwar Kurshid and Toronto pop-duo LAL. And we sold out the yurt!



Performance about a woman 
 RUTAS Festival, co-produced with Public Recordings
October 4th-8th, Toronto


Photo by The Edisons


Bea Pizano and Trevor Schwellnus of Aluna Theatre were the first to support this project back in 2014. So I was delighted when they asked me to present Performance about a woman in their festival RUTAS. It’s an honour for this gringa to be included in a festival for South American artists and a gift to perform in a context where bi-lingual performance fits right in. 




September 2018
Choreography across disciplines
Banff Centre, Alberta

Photos by Donald Lee


I was lucky to attend this week long residency facilitated by Ame Henderson and Christopher House at the Banff Centre. Ame and Christopher brought together a magical group of eleven artists. We worked intensively every day and reflected on each other’s practices. I came out of this having a clearer sense of my own work and feeling so inspired by the things that other artists were making. Also, I made this piece about ancient crustaceans coming into consciousness featuring Ayesha Jordan and Robert Fleitz.  :)




August -September 2018
Borders (sin titulo), development period,
Dancemakers, Toronto.

Photo by Claire Harvie


Borders (sin titulo) is the project that Marina Colomina and myself have been nurturing for the the past year.  Making use of Aristophanes’ play The Clouds as the foundation for a devised performance, we spent a intensive period at Dancemakers diving deep into the clouds dilemma. Marina came to Toronto and we were joined by the amazing Supriya Nayak and Megumi Kokuba as performers with collaborators Ame Henderson, Katie Ewald, Marinda de Beer and Evan Webber.  More information here!




May 2018
Performance about a woman,
offta festival, May 29th + 30th, Montreal.

Video still by Oliver Husain


I’ll be in Montreal in May to present this reworking of a solo that I first made in 2014. It has been through a few incarnations and this new proposal includes some installation pieces by Oliver Husain and a new score by Matt Smith. The project has always been a vehicle for developing a practice and the title forces me to confront old ideas again. I’m challenging myself to avoid solving the problems of the work as a performer and to think of them formally. I’ve always felt that a return can be a real opportunity for growth and with Performance about a woman I’m finding this to be true. 




March 2018
bloom by Guillermo Verdecchia, Feb 23rd- March 8th, Buddies in Bad Time Theatre, Toronto. 

Photo by Jon Lauener


In this play inspired by T.S. Eliot’s The Wasteland, I returned to work with Soheil Parsa and Modern Times Stage Company. It’s been a powerful experience to remind myself of the meditative potential of repetition in performance. In my own devised performance work I often question what warrants repetition. But in theatre repetition is its’ own kind of formal constraint. After working in improvisatory structures for the last while I’ve been so grateful to rediscover the process of repeating something in this production. 




February 2018
Becoming by Erum Khan,
February 16th, Rhubard Festival, Toronto. 



Photo by Dahlia Katz


I’m delighted to have been asked to direct Erum in her solo Becoming. She’s been working on the script in development at the Buddies in Bad Times Emerging Creators Unit. I loved having the chance to draw out the humor and vulnerability in this meditation on waiting for change.I love Erum’s aesthetic and I connected so deeply with her sources of inspiration.



January 2018
Declarations, by Jordan Tannahill, January 22-Feb 11th, Canadian Stage, Toronto.


Photo by Alejandro Santiago


Together with Rob Abubo, Danielle Baskerville, Jennifer Dahl and Philip Nozuka I’ll be appearing in this new work by Jordan. It’s poetic and surprising and features some wonderful people.

Here is a review of the production. 




November-December 2017
Artist in residence at L’Estruch, Sabadell, Catalonia. 
Together with choreographer Marina Colomina, with collaboration from Matt Smith and Ame Henderson, I’ll be working on Borders (sin título), a new project that explores  a classical Greek comedy as material for investigating the borders that govern our bodies, identities, and histories. Borders (sin título) is co-produced by Public Recordings and Events In Real Time with the support of L’Estruch Fàbrica de Creació and La Poderosa.  

Check out the video below for our fundraising campaign and donate here!